I’m excited to announce the premiere of my new piece Fake Mosaic for soprano saxophone and percussion. Composed for Erin Rogers and Chris Graham of Hypercube, Fake Mosaic explores timbral and rhythmic transformations by treating the two parts as one complex hyperinstrument. The two voices transition between fusion and disunity and the piece gives agency to generative processes (Euclidean rhythms in particular) that explore the continuum between these disparate states.
The live-stream premiere is presented by the Charlotte New Music Festival at 5 p.m. ET (4 p.m. CT) on Friday, November 20, 2020 and is free and open to the public.
